Billy is forewarned of the dangers of Farmhouse 3 way before he arrives there. Here are some of the signs:

  • His alarm wakes him up at 3 minutes past midnight
  • The “Wilson” branded socks he takes from his draw are turned to the side, so the W appears as a number 3
  • The elephant toy in his room has a 3 on its jacket
  • His calendar tells him he’s camping on the 3rd
  • The CD Tully has put on in the truck is “Mix 3”
  • Tully has the number 23 on his basket ball top
  • Tully warns that the in car air conditioning has been stuck on 3 all day
  • The film is 33 minutes 33 seconds long.

The shoot on the hillside had to be held off for 20 minutes due to rain. Once the weather cleared a small insect plagued the field and bit the cast and crew. This is why the actors can be seen to get more spotty throughout the scene.

“Anal Destination” was going to be an alternative title to the movie, but the writer decided it sounded too pornographic.

Old man Randy Spectre was originally supposed to wear a Venetian mask and a cape but the director thought it looked too “rapey” and scrapped them.

Whilst on the way to the reshoots, actor David Ashwood lost a bag. Alongside the director they went shopping for a duplicate shirt and t-shirt, unable to find an exact match Billy’s tops change throughout the film. This is especially noticeable in the first scene and the scene where Billy reflects on his bed before putting on a CD.

Dudley Rees can be seen on the floor in the bedroom scene, knocking the photo over, acting as “a gust of wind".

During production it became apparent that older men did not approve of the title “Destination Bumrape” whilst older women thought it was hilarious. Young people universally approved of the title.

All rain in the film was achieved using a hose pipe and all lightning with a conventional camera flash.

Many takes in the film were ruined by director Dudley Rees laughing. This was especially true in Alex Harries' scenes. When Agent Groomer spies Billy hiding behind the wall and stares at him, much of the wobble on the camera is Dudley laughing.

James Ashton had learned his lines in a New York accent but the director felt he sounded too much like Robert Duvall and asked him to change the accent on the day of filming.

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